The Man Who Turned Into A Stick by Kōbō Abe
365 Days/365 Plays by Suzan-Lori
PLEASE NOTE:
-THIS PRODUCTION INCLUDES THE USE OF FLASHING/STROBE LIGHTS.
-THERE IS NO LATE SEATING. UNCLAIMED TICKETS MAY BE RELEASED TO ACCOMMODATE ADDITIONAL GUESTS AT THE BEGINNING OF ACT ONE.
TRIGGER WARNING:
We understand that some plays may cause distress or trigger challenging emotions for some of our audience members. If there are certain themes that you would find particularly upsetting and you'd like to speak to someone from our team to find out more about a show before you reserve, please email us at [email protected]
**COVID POLICY
We require that attendees self-certify that they do not have symptoms, have not been diagnosed with or had direct contact with a known or suspected COVID-19 case in the past 14 days, and will comply with the events safety policies and procedures including wearing face coverings, physical distancing, and other determined requirements. Violation of policies will cause removal from the event.
All guests must be fully vaccinated against COVID-19 and up to date on their vaccinations or provide a negative test result for a COVID-19 PCR test administered no more than 72 hours prior to arriving on campus.
Upon arrival, all registered guests must present a photo ID and proof that they meet the CDC definition of being fully vaccinated (i.e., two weeks past all recommended doses of a vaccine approved or authorized for emergency use by the FDA or WHO) against COVID-19. Proof of vaccination may be given in the form of a paper copy or digital image of a guest's vaccination record; the New York State Excelsior Pass for those vaccinated in New York; or the NYC COVID Safe App.
Pace University’s Actors Studio Drama School (ASDS) Master of Fine Arts Program today announced the final repertory season of the year; a seven-week spread of amazing performances, directing, and writing from the Class of 2022. The festival will begin on March 23, 2022.
Having reopened its doors first the first time since the start of the pandemic last year a few months, ASDS continues to follow industry standards as well as New York State and local COVID-19 safety protocols, the Repertory theater in lower Manhattan will welcome in-person audiences at 70% capacity.
The 2022 graduating cohort includes Alanah Allen, Portia Backus, Geoffrey Kelly, Victor Del Rio, Alexa Di Taranto, Brittany Duskin, Jesse Garlick, Conor Andrew Hall, Helen Herbert, Cynthia Yiru Hu, Matthew Iannone, Eliott Johnson, Wonhee Kim, Victoria Mancini, Tatiana Melendez, Stephen Moore, Rebecca Nakano, Thomas Ovitt, Edward Pritchard, Madison Smith, Eliza Vann, Abby Yazvac, Stephanie Kalogriopoulos, Topher Kielbasa, Craven Poole, Saki Kawamura, Chase Kniffen, and Makenna Masenheimer.
The creative team includes Set Designer Shawn Lewis; Projections Designer Robert Feffer; Sound Designer Sean Hagerty; Lighting Designer Ethan Steimal; Costume Designers David “DW” Withrow and Jennifer Paar; Props Design Brittany Loesch; The General Management company is Brierpatch Productions.
The Repertory’s production schedule is as follows:
· March 23- March 26 – Original Works– The Librarian by Craven Poole (Class of ’22), Our Father by Topher Kielbasa (Class of ’22), and Learning to Waltz by Stephanie Kalogrioupolos (Class of ’22)
· March 30-April 2 – Margaret’s Bed by William Inge and Fifth Planet by David Auburn
· April 6-April 9 – Spite by Tariq Hamami
· April 13- April 16 – Gloria by Branden Jacobs-Jenkins
· April 20- April 23 - Art by Yasmina Reza
· April 27-April 30 – The Man Who Turned Into A Stick by Kōbō Abe, and scenes from 365 Days/365 Plays by Suzan-Lori
· May 4-May 7 – Cul De Sac by John Cariani
When: Wednesdays through Saturdays at 7:30 PM; Saturday matinees at 3:00 PM.
Where: ASDS Repertory Theater, 80 Greenwich Street (between Rector and Edgar Streets), New York, NY, 10006.
Admission is free. To reserve your seat and for more information visit www.ASDSRepSeason.com/reservations
About the Repertory Season
The purpose of the Repertory Season is to facilitate a professional experience, as students in their graduating year work with professional designers, stage managers, production companies, and benefit from the response of real audiences. While many events and educational programs impacted by the COVID-19 pandemic that started in early 2020 were shifted to a successful online and nontraditional instruction, the Repertory Season, after a two-season hiatus, is now happy to be back live.